Saturday, February 27, 2010

Unrequited dance

I often wonder about the symmetry of partner dance experiences. Like, to what extent can there be unrecognized disparity between how each person perceives a given dance? For instance, if a very skilled lead dances with a girl who's just beginning to learn, the girl might have a really fun dance while the guy might be pretty bored or even frustrated (and vice versa, in the case of an experienced girl and inexperienced guy). Or aside from differences in skill level... Say if two people have two pretty different styles... maybe person A might like person B's style and enjoy the dance a lot, while B might find A's style difficult to dance with. In this kind of scenario, I wonder whether A would necessarily feel from B their lack of enjoyment, and/or whether this would affect A's experience/enjoyment of the dance.

But beyond simply enjoyment (or lack thereof), what I'm really curious about is connection. Not physical lead/follow connection... maybe "chemistry" is a better word for what I'm thinking of? I'm not entirely sure of what people generally mean when they talk about chemistry between partners, but I think the thing I have in mind (which I've tried before to explain) is something more specific, if not altogether different. It's something like being completely in tune with the other person, really *feeling* them in a way that's not even physical... Not just feeling their movement, but feeling how they're feeling the music -- even feeling how they want to express the way they're feeling the music. For me, occasionally this happens with salsa, but I've never felt such an intense connection with my partner as I have while dancing blues. It's unbelievable, and I really don't know how to describe it other than... intense.

Whenever I'm trying to think of how to describe it, the following always comes to mind: in Dynasty Warriors, two players can perform a special attack together if they each have full special-attack meters and they're standing close enough to one another; under those conditions, you see this crackling electricity-type thing between them, indicating that you can perform the dual attack:

Despite my tendency to see many aspects of life in terms of video games, I find it more than a little weird likening blues dancing to Dynasty Warriors... but it's such an apt depiction of how the connection I'm talking about feels! When it's strong, it is like this electricity... this direct link between each person's experience of the music. (I guess in this sense the analogy can be extended, since I can't imagine that this kind of connection could occur unless both people's individual music-experience-intensity meters are at least close to maxed. :P)

Anyway... Revelations of my gamer-nerdiness aside, I'm so curious as to whether one person can feel as if they have this kind of intense connection with their partner, while at the same time the other person is just dancing normally, without feeling anything out of the ordinary. Or can it indeed only happen when two people are each feeling the way the other is experiencing the music... when this magical kind of synchrony happens... when they're not just dancing concurrently -- or even "with" each other -- but dancing together through the music?

Monday, February 15, 2010

Sorry if I spray you.

I am faced with a bit of a meta-problem. I said before that I want to fix my broken following... or my conscious self does, anyway. My dancing self, I have since discovered... maybe not so much.

A couple weeks after I wrote about this growing following problem of mine, I got to hear (by proxy) what the director of one of the salsa dance companies around here thinks of my dancing, which pretty much exactly confirmed my suspicions (which in turn made me really happy, to know that my perception of things is fairly reflective of what at least one super-experienced lead feels from his end). Specifically, he said that I need to learn to channel my energy and that sometimes my following is disconnected, but, because I have good reflexes, I get away with it (all three of these things are exactly things that I'd been thinking myself). So this was further motivation to work on my following. But I think this is going to be a lot harder than I'd expected, and not for the reasons I'd have thought.

Tonight I had probably the most fun dancing that I've *ever* had in one night (that I can recall, anyway). Toward the beginning of the night, I was dancing with a friend of mine when he noticed my broken-ass following and tried to help me fix it. As soon as he held his hands up, palms-out and fingers splayed, and told me to place my fingertips on his, I was like "Yes! This is going to be such awesome following practice!" And it was -- he not only gave me some general feedback about specifically how my dancing insanity makes it hard for a guy to lead, but helped me practice following more responsively -- more connectedly. It was really great, and I definitely want to do more practice following like that, until it's basically second nature. But I realized, a handful of dances after I danced with him, that I'd completely forgotten about what we'd been working on and was dancing like I normally do (maybe a bit more exuberantly than usual, since I was insanely excited to be dancing after what seemed like forever since the last time...), and I was having a ridiculously fun time. And, later in the night, he asked me if I'd changed my style -- said that at some point he saw me dancing with this other dude, and it looked completely different -- really smooth, or something (as opposed to impossible-to-control-wild-creature-like). But I hadn't been doing anything other than what I normally do, and I told him something to the effect that it depends on the dude. I realized, though, specifically what it is.

I don't remember what it was like when I started, but these days I dance because I can't help it. Like, literally because I cannot contain myself. It's like... It's like I'm like a faucet, and when the music starts playing, the water starts running through the pipes. If I'm not dancing, the pressure builds up and I want to explode. If I'm dancing with someone, the way they dance and lead me sets how open the tap is. If I'm feeling particularly exuberant (or even just if the song is really good), that water is running like mad, and it has to go somewhere; if what they're doing with me allows me to express what has built up inside me, that tap is wide open and the water can flow freely, in a predictable way (i.e., straight out the tap). Sometimes how someone will lead me is very different from what my natural inclination would be in terms of moving with the music, but that movement ends up still being hugely effective means of expression for me -- still provides that same release (or sometimes even more), even though they've turned on a different tap altogether and channeled the water out a different way. On the other hand, if what they're doing with me doesn't open the tap enough, that pressure is still there, and the water starts bursting the pipes and spraying all over the place. *I* feel better, but water ends up going way more places than they expected when they opened the tap; sometimes it ends up in harmless places (if my insanity happens to not interfere or conflict with what they're trying to do as a lead), but other times it sprays all over them, and it's probably not much fun to dance all wet. :|

Here I need to clarify that it isn't in any way a matter of good versus bad leading/dancing, or anything like that -- it just comes down to compatibility in the ways we're each experiencing the music, which of course differs hugely from person to person.

But now I'm not sure what to do. Part of me (the thinking part) wants to improve as a follow, but part of me (the dancing part) just wants to enjoy dancing. There are enough leads who seem to be okay with my tendencies (and who work those taps in just the right way for me) that I can have Most Awesome Salsa Nights like the one I just had, despite my broken following. But at the same time, there are probably plenty of other leads out there who I'd have an amazing time dancing with as well, but whom I'm disinclined to ask in the first place because I don't want to spray water all over them... So I'm definitely limiting myself if I don't fix my following (or at least get over the guilty feeling, hehe).

I guess the best thing to do is just dance how I feel with people I can do that with freely (without spraying), and with others, take the opportunity to channel that extra pressure into concentrating on practicing my following.

Friday, February 12, 2010

Morning's here... The morning's here! Sunshine is here...


I love mornings. :D To observe my behaviour, you'd never conclude such a thing. For instance, my last couple weeks have gone more or less like so:

Sunday: wake at 3 pm
Monday: sleep at 7 am; wake at 2 pm
Tuesday: sleep at 11 am; wake at 5 pm
Wednesday: sleep at 4 pm; wake at 6 pm
Thursday: sleep at 6 am; wake at 3 pm
Friday: sleep at 3 am; wake at 12 pm
Saturday: sleep at 7 am; wake at 3 pm
Sunday: sleep at 6 am; wake at 3 pm
Monday: sleep at 5 am; wake at 7 am; sleep at 5 pm; wake at 7 pm
Tuesday: sleep at 8 am; wake at 9 am; sleep at 6 pm; wake at 8 pm
Wednesday: sleep at 5 am; wake at 5:10 am; sleep at 9 pm (!!)
Thursday: wake at 6 am (!!)
Friday: sleep at 1 am; wake at 8 am

I don't quite understand why I always tend to stay up forever into the night, eventually giving in to exhaustion and sleeping sometime in the morning... I guess there's something about the quiet, when everyone else is asleep, that I like, but I most of the time I don't get much (or anything) done when I'm awake really late anyway. Sometimes there's something specific I'm doing such that I stay up forever (e.g., playing guitar), but other times time just somehow elapses, and suddenly it's 6 am, and I wouldn't even be able to describe what I was doing the whole time if you asked me.

I think I need to get into the habit of sticking to a behavioural curfew. Something like "no computer after 10 pm". I really like early mornings, when it's just getting light out (or even before it starts to get light). They're so much better than evenings. They feel so much happier...

I watched a TED Talk yesterday, about lifestyles that are associated with longevity, and (in addition to making me think about what a ridiculously high proportion of the time my body must be under stress -- due to my sleeping habits alone) the speaker talks about the Japanese concept of ikigai, which he, perhaps rather inaccurately, translates as "the reason for which you wake up in the morning"... Now, maybe what he really meant by this description was something closer to a raison d'être, or broader sense of purpose in life (which surely would be a great thing), but even taking it literally: for me it makes such a huge difference simply to have something specific that I want to do when I wake up each day. It's such a great feeling to wake up and to not be able to stay in bed because there are things that you can't wait to do right away. Which is another reason to set a curfew for myself, even (or especially) when there are things I really want to do right that moment, at night.

It's odd... I saw this personality quiz recently (a Which Typeface Are You? quiz, hehe) in which the following question was asked "Are you relaxed -- do you take any chocolate from the box, whether it's orange cream or hazelnut crunch? Or are you disciplined -- do you first suffer the orange cream so you can later enjoy the hazelnut crunch?" I would never think of myself as disciplined (like, at *all*), but I always do the latter. I always eat things I don't like first, saving the best things for last. If this is indeed some kind of manifestation of discipline, maybe there's hope for me yet -- maybe I can make a habit of not only to holding off on enjoyable activities until morning (so I can sleep and wake early :D), but maybe even first doing tasks I don't want to do, getting them over with right away so I can enjoy other things fully afterwards. Wouldn't that be something...

Wednesday, February 10, 2010

Why trying is good

Holy frig. Like, holy frig. So last week, I started trying to learn a song. I am lame and don't know chords (other than, like, the five-to-ten most generic ones), and aside from the mainstream, strummy sort of songs you play on an acoustic (which tend to consist of maybe ten generic chords total), the handful of other songs I've ever learned were all from tabs. Unfortunately, tabs are virtually impossible to find for most Brazilian music, and I can never make sense of any chords I can find. :| So that left learning this song by ear (and by the handful of fingerings you can see in the video, hehe). Which seemed like it'd be... really, really freaking hard... when I listened to it, but I really, really wanted to learn it, so I tried. And after working at it a little bit more each day since this past Sunday, today I finally finished! :D!

Some parts aren't quite right, and I still can't play it very well, but man! The first time I played it through from start to finish, after I reached the last note I could not stop grinning. I can't believe I actually did it! I listen to the original song, and I'm like, "Whaaaat, I learned that *by ear*?? Whaaaaaaat??" I'm so happy!! Seriously, forget grades or awards or scholarships -- I don't think I've *ever* felt this kind of sense of accomplishment. I feel like a little kid who just made their first-ever Play-Doh man. :D (One arm is falling off.)

Thinking back, there have been a couple of other times I set about learning something that I thought I was crazy to try, given my pitiful skill level (they include the third song I ever learned, and this one). But I did learn them (yay tabs!), and, bit by bit, they were much less impossible than they seemed at first. And then this! So my Important Lesson of the Day is: trying to do things you think you're crazy for attempting is The Best! :D Either you keep trying until you eventually succeed (and you get to be super happy about it!), or you learn a whole bunch through your effortful attempts and at least you know tried your best. :]

So yay! Lack of tabs can't stop me now! :D! There are so many songs I want to learn now... Although, man, it's *insanely* hard to pick out the notes for chords when all of the strings are sounded at once. D: But... I guess it'll get easier as I gain familiarity with the different chords.

Now to apply my Important Lesson to life in general... :o! I want more of this awesome feeling!

Sunday, February 7, 2010

On social media I once considered dumb

For a long time, I was one of those people who shocked others when I revealed that I didn't use Facebook. I really didn't see the point of it, and I thought it was dumb, how much time people spent on it. Eventually, years after the first of my friends to get it, I reluctantly and begrudgingly signed up. And then I proceeded to almost never, ever use it, except to view the occasional photos or event info that existed nowhere else.

More recently, however, not only do I find myself using it continually (and being one of the shocked when I now meet people who don't use it), but my hackles tend to go up when people pooh-pooh at it, and I even find myself defending it now and then.

It made me consider exactly what has changed since once upon a time when I never used it, and it seems to boil down to two main things:

First, the world has become a smaller place for me. Part of this is because of people graduating and moving away, and part of this is because I've met people abroad... but much moreso now than ever before, the people I know and really want to keep up with are all over the place; very few of my friends even live in the same city as me. We all have our own separate lives, and we're busy with hugely varied schedules, so it's nice to have quick updates on at least the major highlights (and often a lot of minor ones) even when there's nothing specific we'd be inclined to, say, email one another about.

Second is that one of the main things I do whenever I have a big enough chunk of free time is dance. This, of course, requires somewhere to go dancing and people to dance with, so being able to keep up with goings-on in the dance scenes relevant to me is huge. There are lots of different events and socials and workshops organized by different people and dance schools, and it's hugely convenient to not only know what's going on when I happen to be going to Toronto (or, perhaps more importantly, have something to plan around so I can go for the stuff I'm interested in), but also have a rough idea of who's going to be at what. Maybe this wouldn't be as big a deal if I were out dancing several times a week (as was the case during my Summer of Freedom) and could keep up by word of mouth, but alas... time is far more scarce these days... and even in this scenario, having events listed all in one place is super handy. The Events feature is also of great utility when trying to wrangle my various scattered amigos into the occasional get-together.

There are other reasons I use Facebook these days, but those are the most important ones, and the ones which perhaps most rationally justify my reliance on a form of social media that part of me still hates.

UPDATE: I like how I happened to post this just before Facebook decided to revamp the homepage layout to something that makes me want to gouge my eyes out with a spoon.

Epic. Fail.

Friday, February 5, 2010

The things that live inside us


I was cleaning off an old hard drive from a desktop I used years ago, and I came across a whole bunch of files I thought I'd lost. Among these were some various art-ish things, which, according to the file info, are from about ten years ago (it still blows my mind when I recall something that falls into my "years ago" mental category, and it turns out that it was a *decade* ago o_o!). Nostalgia impels me to share some of them here. (Bem, na verdade, eu omito os desenhos pro quais eu estou a mais nostálgica, rsrs... mas em todo caso...)

These ones are scans of some things I did in my grade 9 art class:
I think we had to paint these using fake flowers as a reference, hehe.

I think this was based on a photo from National Geographic.

I don't remember working on this one at all, but I must have used a photo for reference here as well.

This one my brother drew (bonus points if you recognize the character!), and I scanned his drawing for my first-ever attempt at colouring something on the computer... using a mouse. :| I'm pretty sure it took me forever, and I think in the end the only part I was happy with was the right shoulder. Haha..


Some random little images:

The bottom ones were probably playing around with my tablet, once I got one.


This may be the only piece of fan art I ever produced. It was for a webcomic that I'm sure has long since ceased to exist.

After some point, I think I just sketched random crap now and then:


I think I pretty much didn't draw at all after around this time. It's kind of strange, because I definitely enjoyed doing it. But... it's weird: thinking back, even though I recall liking doing stuff like this, I can't imagine the feeling of actually *wanting* to do it. You know, the sort of state you're in when you're thinking something like "Ooh, I know! I'm going to do X!", just before you actually go and do it. Being compelled to do something. It's something I used to struggle with, actually -- rarely (if ever) having that feeling of wanting to do specific things, in an immediate sense (as opposed to hypothetically). That's not to say that there weren't lots of things I enjoyed once I was doing them... but I think my tendency was to sort of idly drift into doing things, rather than actively seeking out the activity. Or some external stimulus would make me suddenly want to do something, instead of the inclination spontaneously coming from me.

I guess this is the reason why, for a long time, the only things I really did for fun either were passive (e.g., reading, watching anime/tv/movies, listening to music) or inherently prompted further continuous action (e.g., video games). Perhaps one exception to this was designing and making graphics/layouts for sites. Inexplicably, I used to really like making layouts. (Sadly, I couldn't find any of them on that old hard drive... I guess they're gone forever. :( ) Maybe it had something to do with the combination of aesthetics and functionality -- that the thought of using them afterwards (and actually getting to *see*, on a regular basis, the nice-looking thing I made, unlike with most art I might have produced) made me want to do it. But yeah, it really used to bother me, this general lack of internal desire or motivation to do things I enjoyed.

I think that, by and large, I'm only really compelled do things that make me feel something. Looking at and using layouts I'd made kind-of-sort-of-almost falls into that category (probably due to the aesthetic aspects), but loosely. Better, more recent examples would be playing guitar (and singing), or horseback riding (a hugely physical kind of "feeling" here -- I guess you could call it exhilaration), or dancing. Both playing music and dancing are able to stir up all kinds of things in me, and those things can vary greatly depending on the type of music or dancing. (I won't even begin to try to describe the incredible array of things dance is capable of evoking in me... it adds a whole other dimension to the already vast spectrum of what music alone can do.) So on the one hand, they can elicit strong feelings from me. But on the other hand, if I'm already feeling something, they also provide a means of getting it out of me.

Hm, then I guess writing belongs on my list as well. I thought of it in the context of expression of emotion, but in truth I suppose the writing example means that the whole making/letting-me-feel-stuff thing goes beyond emotions. For instance, if I have some kind of complex idea(s) that I want to communicate (or even just sort out for myself), not only is writing immensely helpful in shaping it into something coherent that effectively conveys the idea, but it's also incredibly satisfying to reach the point in composing a piece of writing where everything fits. The various ideas are all there, expressed clearly and concisely with natural progression and flow, and everything is tied together nicely into something that says just what you want it to say. It's this wonderful sort of mental release, to finally be able to take this mysterious, complex thing that was alive in your head, and to put it out there into the world in a faithful representation of what it was inside of you. [In a way, the process of constructing that understandable representation is satisfying in the same way formulating proofs is (or was), at least for me; the solution, or some part of it, just comes to you in a flash, and at first you don't yet know what it is -- it's there in your head, and you can see it, and you know (or think) that it's the thing you were looking for, but it takes some time to examine it, to tease it apart until you recognize in its amorphous form familiar subcomponents, and finally how they all fit together. And there's this huge satisfaction that comes from taking those subcomponents, putting them together, on paper, in the way you observed them to relate in your mind, and seeing that, yes!, everything fits, and you've got exactly the thing that initially came to you in that flash.]

I suppose, in general then, it's all about achieving that release that comes from effective expression: from getting whatever is alive inside of you out into the world. Whether it's heartbreak coming out as song, ideas as an essay, pent-up energy as a sprint down the hall, or anger as a throat-rending scream, we each pick the most effective means we have for getting things out of us. In one of my classes a few weeks ago, the prof raised the question of "what is passion?", and I think that it may be these live things inside us, trying to burst their way out.

On the other side of the coin, I guess this is really what allows us to connect with other people as well. To see, there in front of you, produced by another person, a manifestation of the very thing that's alive within you -- to read it in their words, to feel it in the movement of their body; how can you not feel closer to a person, knowing the same thing lives inside you both? It's amazing how the way a person expresses themselves can excite things in you, even if neither of you knew it was there, and even to the point where what was once sleeping within you finally resounds so strongly that you're moved to give voice to it as well. And the positive feedback that can happen: given how satisfying it is to express these live things, it's no wonder we like to surround ourselves with people who share the same passions. They keep them alive in us and make them stronger.

As I said, I used to feel empty in this sense... like I didn't have any of these live things of my own, moving me to do things. Even though other people could transiently excite certain things in me (and a myriad of things at that, with how diverse my interests are), it would never last long beyond the direct influences of those other people, and, left to my own devices, I'd invariably go back to not feeling like doing anything. I'm really glad that in the last few years various people helped to awaken different things in me, and that these things grew strong enough that they've stayed alive in me even without these people around anymore.

So, as far as art goes... I think if I were to be an artist, I'd be an artist of emotion. Even though I enjoy drawing once I'm doing it, I'm not compelled to do it under everyday circumstances. I guess the act itself, though enjoyable, isn't enough so that it alone would move me to do it, and I don't get all that much out of looking at the final product myself (maybe I'd want to do it for a gift or something...). And since my skill isn't great enough to faithfully produce the things that come to mind when I'm compelled to give voice to my emotions, these days I instead turn to the languages in which I have somewhat more fluency, like writing, music and dance.

Monday, February 1, 2010

So... hard...

I really need to learn some music theory... chord composition and such... learn to recognize different kinds of chords by ear, and learn how to pick what fingering to use for each chord (short of brute-force trial and error to see what combinations work best). There are a lot of songs that I want to learn on guitar, but so far the few songs I've learned have all been from tabs (aside from a handful of mainstream songs that use only super-generic chords). Even sites that give chords along with the lyrics, plus fingering diagrams for the chords, don't help me that much, since I still don't know which variations/fingerings to use, let alone which strings to pluck. Bah. And for the songs I've been wanting to learn this past year+, basically no tabs exist (that I've been able to find, anyway). ... This is probably why I've learned pretty much nothing new in many months. It's frustrating when I think about it, because once I have a tab, it generally doesn't take me that long until I've committed it to memory; playing it fluidly is a different story, but at least at that point I have something to practice instead of learn.

Sigh...

So I've begun trying to figure out a song by ear, tabbing it out as I go. This is the first time I've attempted (beyond like five minutes) to do this, so who knows how long it will take me... For a lot of the chords, it's hard to pick out what notes they consist of. I really like this particular arrangement though, so I am determined...