This Is Your Brain on Music (Part I)

This is a book I bought years ago because of my interest in cognition, my love of music, and the fact that my curiosity about how we experience music and why was driving me crazy. For some reason (probably because I'd bought another half-dozen books at the same time), I started reading it then, but didn't get that far before I got distracted by shiny things and forgot about it.

Recently, in my theory development class, we've been talking about design and perception, and music (the way we perceive it, and our preferences relating to it) came up; it reminded me of this book. My music- and dance-related experiences over the last couple of years have made my fascination with this subject much greater than it was even when I bought the book, so I was eager to pick it up again and start reading it from the beginning. Here are a couple of passages from the introduction that resonated with me in a way they couldn't possibly have when I first read them years ago:

What artists and scientists have in common is the ability to live in an open-ended state of interpretation and reinterpretation of the products of our work. The work of artists and scientists is ultimately the pursuit of truth, but members of both camps understand that truth in its very nature is contextual and changeable, dependent on point of view, and that today's truths become tomorrow's disproven hypotheses or forgotten objets d'art.

After I finished undergrad, during my final years of which I focused on molecular genetics and spent most of my non-classtime waking hours working on my school's team for the International Genetically Engineered Machine (iGEM) competition, I -- by no means deliberately -- gradually stepped back from the nitty gritty technical side of synthetic biology, and found myself spending more of my time focused on running and developing my team. Having receded from the land of the hardcore technical side of science, I came to realize that I am (would it be ironic to say "at heart"?) a scientist, in terms of the way I see and think about the world, the questions I'm given to asking, and the way I evaluate information on a day-to-day basis. Meanwhile, I'd become much more immersed in a world of art. Of music, and of dance, and of expression of whatever is alive inside us, trying to get out. And, feeling almost like two completely different people in each of them, I've all the while had a hard time reconciling these two worlds of Science and Art. I'm still not sure how I can do so in a practical sense (or whether I can), but reading that passage was strangely comforting; it made me feel more like a single person.

... I was going to include another excerpt here (actually, the one that I wanted to comment on in the first place), but I'll leave that for tomorrow.